Using 7th, 9th, and suspended chords to add tension.
DubVision demonstrates how to stack Serum, Sylenth1, and Spire patches to build a cohesive lead. They emphasize phase alignment and octave spacing to ensure the sound is wide yet mono-compatible. 2. Emotional Arrangement
To help you get started, we've put together a tutorial project file that demonstrates some of the techniques discussed in this article. You can download the project file [insert link] and use it as a starting point for your own productions.
High-pass filter every single lead, pad, and chord layer up to 150Hz–200Hz. Leave the sub-frequencies entirely to your dedicated sub-bass and kick.
Progressive house is a subgenre of house music characterized by its epic, atmospheric soundscapes, driving beats, and catchy melodies. In this tutorial, we'll be exploring the techniques used by renowned producers 789ten and DubVision to create their signature progressive house sound.
[Write Emotional Chords] ➔ [Surgically Layer Synths] ➔ [Create 3D Spatial Contrast] (7ths & 9ths) (Frequency Splits) (Dry Verse vs. Wide Drop)
: Specific tricks to create tension and energy leading into the drop.
: Meticulous reverb automation during builds to create contrast between the buildup and the drop.
Assigning specific roles to each layer (e.g., one layer handles the transient grit, one handles the warm mid-range, and one handles the stereo width).
To get that clean, pumping low end, they apply their (detailed in V.1) that maximizes headroom for the kick and bass.
Progressive House Techniques V 2 is a comprehensive tutorial series that showcases the production techniques used by 789ten and Dubvision to create their signature sound. By using these techniques, producers of all levels can improve their skills and create high-quality progressive house tracks. Whether you're a beginner or an experienced producer, this tutorial series is a must-have resource for anyone looking to take their progressive house productions to the next level.
In the tutorial, the progressive house chord stack is treated like a symphonic orchestra:
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Marco smirked. Amateur riddle. He typed: CLASH .
Use short, punchy kicks with a clean transient. Long tails clash with progressive basslines.
DubVision often begins with a – a simple but emotional chord progression that sets the tone for the entire track. Don’t overthink the intro; start with the musical core.
| Section | Length | Key Elements | |---------|--------|---------------| | Intro | 32 bars | Kick + filtered "Zipl" bass + arp (dry) | | Break 1 | 16 bars | Vocal chop, pads enter, bass drops out | | Build | 8 bars | Inverted riser, snare pitch-down, "better" chop | | Drop 1 | 32 bars | Full supersaw V2, reese-stab bass, shaker groove | | Breakdown | 16 bars | Piano (2nd inversion chords) + reverse reverb | | Build 2 | 8 bars | White noise up + arp 16th triplets | | Drop 2 | 48 bars | Drop 1 + extra chord layer + open hat every 4th bar | | Outro | 24 bars | Filter everything out, leave only kick + arp delay tail |