Soothe2 is a fully native citizen of the Mac ecosystem. The current version (1.3.3) , and all the standard plugin formats: VST, VST3, AU, and AAX (Pro Tools 11 and up) .
Soothe2 automatically identifies and tames problematic resonances in real time. Think of it as a “smart” dynamic notch filter. It’s not an EQ – it only reduces gain at specific harsh frequencies when they become too prominent.
Soothe2_v1.3.0_macOS.pkg
At its heart, soothe2 is a . Unlike a traditional equalizer, which cuts a fixed frequency by a fixed amount regardless of the audio content, soothe2 operates with intelligence. It continuously listens to the incoming signal, identifies resonant, harsh, or "whistling" frequency peaks, and applies a tight, adaptive notch filter to reduce them only when they become problematic.
Soothe2 is highly optimized for the macOS ecosystem, supporting a wide range of hardware and software configurations: soothe2 - oeksound oeksound soothe2 mac
Before soothe2, cleaning up a "harsh" vocal or a "boxy" acoustic guitar meant hours of manual EQ work—hunting for frequencies and cutting them with narrow notches. The problem? Static EQ cuts out those frequencies even when they
Perfect for transparently taming a vocal or a master bus. Soothe2 is a fully native citizen of the Mac ecosystem
To get the most out of Oeksound Soothe2 on your Mac, focus on using it as a "dynamic resonance suppressor" that targets specific problem frequencies rather than acting like a standard EQ. Production Expert 1. Core Controls & Workflow Depth (The Big Knob):
When the harsh frequency stops, soothe2 stops cutting. This results in an incredibly transparent fix that preserves the original tone of your instrument or vocal without making it sound dull or hollow. Mac System Requirements and Compatibility Think of it as a “smart” dynamic notch filter
You can use an external audio signal to trigger the resonance reduction on another track. For instance, you can feed a vocal track into the sidechain of soothe2 on a guitar bus. The plugin will then dynamically cut the guitar's resonant frequencies only when the vocal is present, creating space in your mix without the need for manual volume automation.